*001960975
*003NO-LaBS
*00520211108192030.0
*007t
*008210311s2021 xx er 1 eng d
*009 cam 1
*019 $bl$dR
*020 $a978-0-349-42948-9$qheftet
*0243 $a9780349429489
*035 $a(NO-LaBS)12939314(bibid)
*035 $a(NO-OsBAS)150369608
*040 $bnor
*0827 $a82$qNO-OsBAS
*090 $dQUI$aEngelsk
*1001 $aQuinn, Julia$d1970-$6(NO-LaBS)960975-1$_29894700
*24510$aIt's in his kiss$cJulia Quinn
*260 $aLondon$bPiatkus$c2021
*300 $a368 sider$c20 cm
*336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*386 $mNasjonalitet/regional gruppe$bUS$0(NO-LaBS)960975-1
*4901 $aBridgerton$v7
*5208 $aAll the ton agree: there is no one quite like Hyacinth Bridgerton. Fiendishly smart, devilishly outspoken and - according to some, particularly Gareth St. Clair - probably best in small doses. But there's something about her - something charming and vexing - that grabs one and won't quite let go. Gareth and Hyacinth cross paths at the annual - and annually discordant - Smythe-Smith musicale. To Hyacinth, Gareth's every word seems a dare, and she offers to help him out with a knotty inheritance problem he's facing. However, as they delve into the mysterious St Clair history, they discover that the answers they seek lie not in the past - but in each other; and that there is nothing as simple - or as complicated - as a single, perfect kiss.
*65007$a1800-1850$2Bokbasen AS$9nob$_41845700
*65007$aOverklassen$2Bokbasen AS$9nob$_41086400
*651 7$aEngland$2Bokbasen AS$9nob$_41053700
*655 7$aHistoriske fortellinger$0https://id.nb.no/vocabulary/ntsf/125$9nob$2Bokbasen AS$_42659800
*655 7$aRomaner$0https://id.nb.no/vocabulary/ntsf/258$9nob$2Bokbasen AS$_42659300
*655 7$aRomaner$0https://id.nb.no/vocabulary/ntsf/258$9nob$2norvok$_42659300
*655 7$aRomantikk$0https://id.nb.no/vocabulary/ntsf/147$9nob$2Bokbasen AS$_42682200
*830 0$aBridgerton$v7$_29333200
^